• DOORS OPENED

    IN 2013 A WAREHOUSE NESTLED IN AL QUOZ, THE INDUSTRIAL PART OF DUBAI WAS TRANSFORMED INTO A SETTING OF WHAT WAS TO COME.

  • AN ANTIDOTE TO THE TRADITIONAL ART MARKET IN THE REGION

    THE MINE WAS CONCEIVED AS AN INTERDISCIPLINARY SPACE

  • CONNECTING THE DOTS

    THE MINE WAS CONCEIVED AS AN EXPERIMENTAL ART PROJECT AND SPACE TO FILL IN THE GAPS THAT WERE MISSING IN THE WEST ASIAN ART SCENE.

  • SUBCULTURE

    IT ALWAYS WORKED TOWARDS A FRINGE CULTURE OF ARTIST-LED EXHIBITIONS, GUEST-CURATED EVENTS, TALKS, PERFORMANCES, AND 'HAPPENINGS'.

  • ARTIST RESIDENCY PARTICIPATION AT ART DUBAI

    IN 2018, THE MINE WAS SELECTED TO PARTICIPATE IN ART DUBAI'S RESIDENCY PROGRAM AND SHOWCASED THE JAPANESE ARTIST YASUAKI ONISHI AT THE FAIR AS AN ALTERNATIVE PROGRAM

  • POP-UP ART PROJECTS IN PARIS IN 2016 & 2019

  • THE MINE ENVELOPE

    AN INDEPENDENT ART PLATFORM THAT BRIDGES ARTISTS & CULTURAL AFFILIATIONS THROUGH A WIDE RANGE OF ADVISORY SERVICES, CURATORIAL PROJECTS & EXHIBITIONS

ABOUT THE MINE

Established as a physical art space in Dubai in 2013 by independent curator and culture strategist Sanaz Askari, The Mine—now an online platform and incubator—connects artists of West Asia with global audiences, transcending the traditional gallery model, The Mine emphasises collaboration and broader engagement with art through curated pop-up exhibitions, public programming, and activations.

Acting as a mediator and advisor, The Mine serves as a bridge between artists, non-profit organisations, institutions, and galleries, cultivating interdisciplinary connections supporting artists’ careers. Drawing on its extensive network of curators, writers, collectors, cultural thinkers, and visionaries, The Mine brings together diverse artistic practices and perspectives, creating a dynamic dynamic platform.

ABOUT THE FOUNDER

Sanaz Askari has been an advocate of the arts in the Middle East since 2013 through her platform, The Mine, a project space based in Dubai, UAE (2013–2018), known for its alternative approach to supporting emerging artists and engaging the community through interdisciplinary art and interventions such as performance and public art.

Askari has also been curating independently, with her most recent acclaimed exhibition, Another Birth (2023), inspired by Forough Farrokhzad’s poetry and work, developed with the support of Alserkal Avenue in Dubai. Other notable projects include Geopoetics of the UAE (2023), a group exhibition of UAE-based artists commissioned for the UAE Embassy in Brussels, and Echoed Vision in Dubai (2024), a regional group show featuring Ali Akbar Sadeghi, Farideh Lashai, Fereydoun Ave, and Abbas Akhavan. She has also curated several pop-up exhibitions, including those in Copenhagen (2016) and Paris (2019).

Askari was instrumental in facilitating The Sea Suspended (2016), an exhibition by the Barjeel Foundation at the Tehran Museum of Contemporary Art, marking a historic, first-time presentation of modern Arab art alongside Iranian masterworks from the 1940s to 1970s. From 2016 to 2018, she also worked as an independent art and cultural producer and consultant for the Government of Dubai under the Dubai Media Office. 

Now based between London and Dubai, Askari works as an independent curator and arts & cultural consultant, continuing her initiatives through her curatorial and project-based online platform, The Mine.